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My journey to Granada
My search for flamenco in Spain
The first week from Granada, Spain.
I left Boston at 5.50 PM., July 8th.
The flight was uneventful though sitting in a middle seat on a 6 hour
flight cannot be called completely uneventful and certainly not fulfilling
however, I survived it and after spending a few hours in London’s
Heathrow airport trying to decide if I really needed to eat again I arrived
in Malaga around 11.30 am. If you have flown on a trip to Europe in the
evening its interesting that they try to make you believe that you have
in fact been flying for many more hours than you have and that even though
you have had supper a few hours earlier two hours later you are served
breakfast. For some reason no matter what flying makes most people hungry
and they all, including me, clamor for more food as if flying causes one
to lose calories.
Arriving in Malaga and leaving Malaga was easy. After taking bus from
the airport I arrived at the hostel where I’m staying. The term
Hostal is the word used for a small hotel in Spain.
First I have to say that the bus ride was an hour and a half to granada
and a beautiful trip, the scenery was quite spectacular and I kept falling
asleep and then waking up to an even more breathtaking view of fields
and hills and farms and mountains and each view was more beautiful than
the next. Behind me was an African man who spent much of his time on his
cell phone and across the aisle a young boy who slept in the most precious
position awakened occasionally to answer his cell phone and then he would
promptly fall back asleep.
Now back to my hotel or hostal. A simple place off a main road, San Juan
de Dios, and it looks like nothing but is quite clean inside. Its run
by a family and they are basically very pleasant even when people come
back at 4 am and they have to wake up to let them in.
My first impression of Spain was that it was loud, hot and filled with
people and all the people speak Spanish with this strange accent which
has taken me sometime to get used to. Its very different from the Spanish
I have had in Mexico.
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I am here for a search of a flamenco guitar.
Why? Well who knows. I don’t think it’s a midlife crisis kind
of thing but instead a love for this music and the instrument itself and
a strong desire to take this trip that I have thought about for awhile.
My flamenco guide Jon suggested Granada and so here I am. A little history.
I first heard flamenco music when I was a boy and had an album of Carlos
Montoya and was amazed by his playing. How did he do that? I listened
to that record for hours and over a period of years and one day met someone
who played flamenco guitar. I asked about lessons but they cost 7 shillings
which was about a dollar and that was much too much for me so I never
did it, opting for Peter Paul and Mary and the Beatles instead but always
having flamenco in my mind. Maybe it was also living next to the Gomez
family and hearing spanish music from their house. Or the grapes they
grew in the yard harkened to southern spain. Since I couldn't learn flamenco
I studied the closest thing, classical guitar, the refined sister to flamenco.
It was this road I decided to take.
Many years later I rediscovered flamenco music and the guitar and for
the past year it has been my passion, listening and playing as much as
I can and here I am, around the corner of the caves where the flamencos
live and play. Having been an artist for many years I am intrigued and
intent on following the passion to its end somehow to see what it might
be about even without understand its purpose or reason.
The search for the guitar has been exciting so far. I have played
about 15 instruments as I write this and some I’ve played a few
times.
At first I was very confused.
I first went to Manuel Diaz’s shop where I met him and sitting with
him was a singer, an older man. This photo is of another guitarist visiting
his shop, the singer is standing. I took this days later.

Manuel (a short clip of him playing his guitar)
is young and has a lovely face, easy and friendly. I gave him greetings
from Jon and gave him the CD Jon asked
me to give to him and he was delighted and then I told him I was looking
for a flamenco guitar. (Some of you know that Jon is the teacher I have
been studying with for the past year.)
Manuel asked if I was looking for a professional or medium instrument
and I said medium and he took a guitar out of the glass case and played
it a bit. Until now I haven’t really played many flamenco guitars,
I would say two of Jon’s is all and it sounded good to me and then
I played it a bit. I liked it somewhat though it felt to me hard to play,
the bass not as pliable as I wanted or expected but I played it for awhile
as the other man raised his eyebrows with a little smirk as if to say,
“listen to this guy play solea” I thought I played it rather
well. Then I played Manuel’s other guitar and it was a world of
difference, easier to play and not as crisp and I imagined it would be
but a fun instrument no less. The student model was 1200 E (the Euro is
about $1.15) and the professional model 4500 E, quite a difference both
in price as well as feel. Manuel played for awhile and the singer sang
off and on. I sat and listened and eventually I left and walked back down
the hill promising that I would return the next day.

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As I’m writing this I realize that I had
forgotten that first I went to a shop across the street and played a
few guitars, two in fact, that were made my the man, Lopez Bellido.
This was my first stop because Manuel's shop was closed when I arrived.
First I played his student model for 1800 E and it was fine though nothing
I remember and then I played the professional model. This he informed
me cost 2400 E and the student model was 1800 E. I don’t really
remember much of either instrument until I played them again later on.
I only remember being in the shop and not knowing the name of it and
he and another man were there, the shop filled with smoke as they both
smoked non stop and he closed to door to keep the sound of the buses
from disturbing the guitar sound though it also served to keep the smoke
in as well, He had another in darker wood for 2800 E and that one I
also don’t remember but I played each for awhile not knowing what
I was listening for, thanked him and then left and went to see Manuel
Diaz.

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This all happened on Wednesday, the day I arrived. I arrived in Granada
around 2.30 pm, siesta time and get settled in my room where I was told
was only a temporary room with a bed, a fan and a basin until the next
day when I would move to a room with AC. I was also told that they were
expecting me the day before which I realized then that I told them I was
arriving on the 8th however that was the day I left Boston, arriving here
a day later. After siesta I made my way to Cuesta de Gomerez,
the street with the guitars. This is also the street where you walk or
take the bus to visit the Alhambra.
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After leaving Manuel's shop I found the internet shop where I went
to check mail and wrote a bit and went online to find a few other places
and found one I had seen before and I made my way to the shop of a German
man, Rolf, a guitar maker who is next door to another maker, John from
Canada. Both men moved to Granada a number of years ago and now live
here full time, making mostly classical guitars. I found their shop
on the internet before going on my trip.

I rang the bell and Rolf came down and let me in and I asked him about
flamenco guitars and he had one in the shop made by another maker who
no longer makes instruments because of diabetes and he took the guitar
out and played it for a moment. The sound was quite amazing, very loud
and I then played it and liked it immediately and was convinced that
that was my guitar. The only problem with it was that the bass strings
felt a bit heavy and dull though it felt better with a capo on. I played
for awhile and told him I would return. I also asked about other makers
and he asked if I visited Bellido yet and I said I didn’t think
so. I didn’t know the name of the shop I first visited. He said
that he was the only maker around who had his own guitars in the shop
and that he was a very good maker. I said I would look him up. This
instrument cost 1400 E and is a beautiful instrument.
I left the shop looking for another maker who lived around
the corner and who I eventually found however he didn’t have any
guitars available so I continued walking until I managed upon a shop
with the name Bellido and Gil in the title and figure this was the shop
Rolf was talking about. Inside was a young man and a woman and I asked
about a flamenco guitar and once again was asked if I wanted a student
or professional model and I said student and was given an instrument
to play that was not very much fun or interesting and then asked about
a professional model. He took an instrument out of the case and gave
it to me and when I played it in knew that was my instrument. It was
easy and delightful to play and somewhat between a classical and flamenco
guitar.
Most of the instruments now are made with not some soft of shellac or
varnish but French polish which means that one has to be careful with
touching the instrument with your bare arm and it has to be wiped after
each playing.
In a few of the shops the makers or owners had me us a cloth when playing
the instrument so as to keep the sweat off the instrument. Its very
hot in Granada now and when you play because of the noise from the street
they close the door and often the shops don’t have very good AC
or none. I played this guitar with the cloth over the body and played
it for awhile, going back to the student instrument and then back again
to the professional as they both looked and shook their heads at the
thought of the student one. A trio came in the shop and the man played
the guitar for awhile and I got to hear the sound a bit. It sounded
lighter than I remembered when playing and I was not as impressed this
time with the sound but listened as the man played and another man sang
and then the argument over the price which was 2200 E and the maker
explained that the price was because of the age of the wood. I played
the guitar again and it felt good but young and almost tentative, not
quite brash enough, a carefully and well made instrument but young.
As I played the other guitarist looked at me and said, “very good,
very good playing”
I said I would think about the instrument and left the shop with my
head spinning.
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I made my way back to the square and by now it was getting later in
the afternoon or more like early evening and I sat and had food before
walking a bit more and then going back home. It was now getting dark and
I realized I was very tired and decided that I would sleep and get ready
for the next days search.
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Thursday I woke around 8 am and went down to the bakery and bought a roll
and then next door to the butcher shop where I got ham and cheese and
made my coffee and had breakfast in the room and planned my day.

Then I made my way to get change and there I saw another shop, a man
named German Berrand and I went in where I met his daughter, a red head
young woman who showed me a few instruments and talked non-stop as I tried
to play and not sweat too much as it was hot and she closed the door to
keep the traffic noise down but there was no air conditioning in the shop
and a persistent fly that kept me company for the whole time. The professional
guitar was 1200 E and nothing different than what I had seen in Manual’s
shop, I played it for awhile and finally left and went back to Bellido’s
shop, the one on Gomerez, the first one I went to. Bellido was there again,
early 50s with a nice smile and easy manner and all the time smoking a
cigarette. I said I wanted to play again he brought out the guitar, the
one for 2400 which is what I requested and when I started playing it I
knew this was the guitar for me. There was no question this time, it was
bright and sassy with a crispness and an ease that made my playing so
fast I was amazed. I played it for awhile and then we talked or rather
he talked quite a bit and then we discussed about how to deal with VAT
and getting it back at the airport and I said I would come back again
to play before deciding. He said that he would be closed from Saturday
afternoon until Monday and I left and went back to visit Rolf to see his
instrument. Again I played it and had the same feeling, not certain about
the feel of the bass, by now I had played a few instruments and could
really feel what it felt and after playing Bellido’s guitar it was
very clear to me that this instrument was not going to be my guitar. I
played it for a short while and then left feeling somewhat confused and
decided to give it all a rest for awhile. |
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Thursday evening was quiet, I sat in the square and had something to
eat. Surprisingly food has not been a theme here for me. I find myself
having breakfast and then drinking tons of water and walking a lot. Granada
is made of hills so walking and sweating and drinking has been the order
of each day here. I also have taken to heart the siesta and have been
sleeping in the afternoons for a few hours after hours of walking. Thursday
was an early evening again. After looking at the two guitars I walked
quite a bit for hours and by the evening I was quite exhausted, even after
the siesta.
Friday I decided it was time to see the Alhambra
(here is a page of some of the Alhambra photos) and walked to the top
of the hill, Cuesta de Gomerez is the street that takes you there and
I passed my guitar shops and continued walking. The Alhambra was an amazing
place and in the gardens there was I realized the first smells I noticed
since arriving in Granada. The city is mostly very noisy and busy with
cars and motorbikes and people. At the Alhambra I walked through the gardens
and the smell of jasmine and roses and other flowers was breathtaking.
The tour itself was interesting though it would have been more fun without
so many people. I wondered how Washington Irving must have felt living
there when he wrote his book and it made me want to read the book. The
most spectacular thing about this place apart from the construction of
the rooms and the buildings is the view of the city from the top. I found
it almost difficult to take it all in. Being there one could imagine the
Moorish quarter and the various battles and the life in the palaces of
this amazing monument. I spent a few hours wandering around the place
trying to avoid people which was basically impossible and eventually left
to rest.

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An aside: this trip is a strange one for me. First traveling alone
is one part of it and staying alone, so far I haven’t met anyone
I have wanted to stay in contact with and have not been interested in
meeting people, enjoying being in my own head and my own time and the
ease of wandering as I feel a need to or just stopping and looking, taking
in things as I sit. Granada is filled with tourist from all over Europe
mostly and many young people who come in and walk the streets looking
very much like 60s hippies with navel rings and bare feet and lose clothing.

I left the Alhambra and wrote a bit at the internet café and then
back here to rest before going out at night. I decided to go to a few
flamenco things. Its interesting to me that finding flamenco is somewhat
difficult here and I decided to make my way to the Albaicin and then to
Sacromente where the flamenco was supposed to be taking place.

The Albaicin (a page
of some of my photos from this part of town) is a lovely town, stark white
with cobbled streets and lots of side streets and wandering pathways made
by the Moors. Churches and squares, old people walking slowly with canes
and sitting on stone benches in the late afternoon which still hold the
heat of the day’s sun. children playing and young men on scooters
flying by at dangerous speeds. I walked for a long time trying to find
the street that Eliot Fisk the classical guitarist lives but I think I
must have the wrong address. After walking though the streets for a few
hours I made my way to Sacromonte, the next town over and it took awhile
and finally I got there and found a restaurant where I met a young man
who said that there is flamenco there at 12.30 am. I told him I would
come back but that I was going to another concert that started at 10 pm
right nearby. It was only 7.30 pm and things are not quite open yet for
dinner this time of day. Most of Spain seems to really start dinner around
9 pm at the earliest so I decided to walk and continued walking for awhile
in this town which is very quiet and overlooks the Alhambra, a beautiful
view. Finally around 8.30 I decided that maybe I would eat something and
went to a little restaurant where it overlooked the whole of Granada from
the Alhambra side and there I sat and wrote a bit and had dinner and was
very left alone by the waiter who at first asked me if I had reservations
and had a bit of an attitude but nonetheless decided to seat me in the
best table with an amazing view and then left me alone until I needed
him. I eventually paid and left to walk to the concert.
The concert was a fusion concert with drumming and singing and was at
a environmental museum where some of the caves were and I walked up very
steep steps and there was an open outdoor area, the weather was perfect
for being out and here in Granada most of the restaurants are outside
and by 10 pm the climate is perfect for being outside and eating. This
makes sense to me why people eat late. I got my sangria which came with
the price of the ticket, 5 E and sat to wait for the concert. The concert
(a short video clip if you have a fast connection) eventually started
at 10.30 not 10 and the air was so soft and as the sun set the moon which
was almost full came out above the Alhambra which was now lit for the
evening. There was jasmine and lavender in the air punctuated by cigarette
smoke. The concert was made up of four drummers, a dancer and two women
who sang, amazing voices and they performed for a half hour, took a break
for a half hour and then performed again for a half hour. The music was
certainly fusion, a cross between flamenco and salsa and I liked it. I
did find myself while waiting falling asleep from time to time. Jet lag.
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Then I walked down to the other place called Venta
el Gallo (a short video of a dancer) and bought my ticket 6 E, got my
glass of wine that came with the ticket and sat in a cave like room where
I waited to see the performance. This one did start at 12.30 and was one
guitar, a singer and four dancers. Each dancer did one dance solo and each
dancer was more amazing than the first. There is a certain set of the mouth
that must be the flamenco pout that each had with such passion and consistency
that I wondered if a part of flamenco training is the pout. The feeling
in the room was electric and each dancer seemed to out do the other.
It was now almost 2 am and things were just getting going in some clubs
as I walked back to my Hostal and the streets were filled with people though
some places were starting to close.
I slept late and moved slowly on Saturday. I decided to go back to Manuel’s
shop and arrived there and played the medium guitar for awhile. Again I
had the same feeling, that it was okay but nothing great though a good instrument
for a student and I stayed for awhile and told him I would return at some
point. I went to Bellido’s shop and there were two people in there,
a man who had a guitar in his hand and a woman who was also holding one.
His name is Jose Luis Postigo.(here is a
short clip of him playing) He was there trying out a guitar but he was playing
each one to make the decision. His playing was the most amazing playing
I have heard, he is from Seville and I sat and listened and he played each
guitar a bit and then decided to buy one. The sound was the perfect flamenco
sound to my ears and I left knowing that I would go back on Monday. I had
a name of another maker in the Albaicin and went to look for him and finally
after asking around found his shop but he was not there. I tried again on
Sunday but he was still not open so I may try and go tomorrow again.
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Sights from Granada: (here is a
page of other photos)
Old man walking, cane in one hand, a bag of groceries in the other, walking
slowly up the stairs and as I watch him I wonder how he can do this day
after day, I am exhausted just after doing it for a few days.
Market place shaded by trees and awnings, women selling fruit and vegetables,voice
loud and sharp.
Fish markets nearby with fresh fish as vendors call out prices.
Man standing at a table filled with hundreds of bras selling then as he
calls out to the women to come and buy.
Old men sitting on a bench quietly, occasionally talking as they grip
their canes.
Three men talking and smoking as they wave their hands in the air.
Everyone smoking, (I have decided that the tobacco companies don't need
to worry about losing money with tobacco, they are totally supported by
Europe if not Granada alone. It is rare to not see someone with a cigarette
in hand or mouth.)
Three old women sitting across from three old men. Each group talking
loudly and occasionally at each other.
Most of the people are overweight except for the young people.
Last night the restaurant in the Albaicin, the woman who owns the restaurant
moves quickly among the customers, she is a large woman wearing all black
and she moves fast and sweats a lot and has a big smile on her face and
gets to everyone easily and quickly. Back and forth between the restaurant
and the customers she seems to float in and out with food and drinks occasionally
stopping at the doorway of the restaurant to dance a little before going
in to get the food or drinks.
In the square young people gather, mostly very brown from the sun, bare
stomachs showing with tattoos and navel rings and nose rings and lip rings
and who knows where else rings. Skateboards and scooters and a few guitars
playing folk music and a few drunks walking with bottles in hand and hundreds
of cell phones and young couples walking hand in hand and old couples
walking hand in hand and other couples walking without touching and parents
with their kids walking with ease. Young African men selling cd's on the
side of the road and many shops of Arabic influence. Restaurants with
kebab and schwarma and tapas bars and pizza joints and ice cream everywhere.
Tourist shops litter the streets and internet cafes are filled with people
and smoke, loud music fill the streets.
Little dogs run around the streets and down below from a walkway a bunch
of geese live and just next to them are cats who seem to be their neighbors.
And then there are the occasional characters.
I saw this woman in the square and she was walking and then decided to
stop and sing. Then she would walk on and stop after a few feet and sing
some more and this went on for about ten minutes.
And then there are churches and churches and a few more churches everywhere.And
people. They seem to arrive daily and stay. They speak every language
and all seem to speak Spanish except for a young man that came into the
guitar shop today and spoke Checz but not enough english or spanish to
get what he wanted. I often hear Arabic spoken as well. I had a long conversation
with a young man who runs the internet cafe. We talked about language
and how different each dialect is. He speaks Arabic, Spanish and some
other native language that he could not really describe to me. He talked
about hearing his friends from London and not being able to understand
them. He had a bright smile and I enjoyed his company for the time we
stood and talked.
Sunday. Walking the streets which are quiet, they are resting after a
hard night where they have been trampled and thrown up on and kicked and
spat upon. The young people are still asleep at 11 am, some straggling
out to see the sun but most either left or in bed, waiting for the length
of the day to happen before venturing forth. Only a few shops open on
Sunday, maybe they open later. Church services going on. I went to the
Albaicin today to see if the guitar shop was open but it was not. In the
little square where a water fountain runs a few people sit. Dogs walk
about, most of them small things, very few cats around. As the church
bell sounds the dogs begin barking and howling from the sound of the bells.
Tourist wander the streets looking for places, maps in hand. I walk with
my camera, shooting occasionally, at times shooting things I’ve
already shot but shoot again just in case. I walk and my path is determined
by the sun and shade. There is no particular reason for my walking today.
Its just to get out to be in the world. Today I came back to the room
to write a bit. The internet places are closed at this point and I’m
happy to sit and write and be quiet.
So far I have had good wine, beer, olives are quite amazing, the meat
dishes have been very tasty, the bread is different, very hard rolls,
the cheese spectacular. I keep trying different restaurants to see if
there is one that I prefer. So far one in the Albaicin where I've eaten
twice now, I don't remember the name right now but its always filled with
people, all eat outside in the square. The waiters, two young men move
fast like dancers, carrying food and drink and a young chubby boy help
clean tables as he is told to move here and there and when he can he sits
down on a chair huffing as though he had just done a days work. The first
day I ate there I ordered the chicken cooked in beer and was brought olives
and fried anchovies alone with bread while I waited for my meal. |
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Today is Monday July 14, 2003. Last night I wandered from my room around
8.30 pm, I am realizing that it makes no sense to leave the hostal before
then. The restaurants are not open yet and unless one is sightseeing you
may as well stay in from the heat. I like this heat, its dry and not nearly
as humid as I’m used to. I walked first to the square and watched
people walk. At times they all seemed to be going in the same direction,
like the seagulls in Nassau in the evening. They all seem to fly east
for some reason which I have never determined. People walking some in
evening dress and others in jeans and torn clothing. I sat and watched
for quite awhile not clear where I wanted to go or what to eat. There
are lots of children here and they run and play easily in the squares.
Finally I made my way back to the Albaicin, it seems to be the place I
feel most interested in and I wander for awhile and come to a lookout
where there are many people sitting and standing and looking at the Alhambra
as the sun is setting. This is a photo from the top but here is also a
very short video showing the view. Note: all of the videos I have taken
that you see here are from my little still digital camera. I have been
taking video as well using my video camera but the still one allows me
to take short shots and to take them where I would otherwise not be able
to. The video camera looks too professional and scares people I think
and the digital still camera is fairly common looking so I can get away
with using it freely. Here is the shot.

Its now 9.30 and the sun has just gone down and in the
square is a man sitting and playing guitar and singing and he plays flamenco
music and is quite good.
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I sat and listened to him for awhile and watch the children
run around a circle with a cross in the middle and eventually as the sun
was almost gone I walked to decide where I might eat. I finally found
a place that looked interesting and waiting for a table to be opened and
when it did I sat and ordered. By now it was 10 pm and people were just
coming out to eat dinner and I ate and watched a woman with a newborn
holding it up to the fountain to show the baby its first glimpse of things
in the world. The baby must have been all of a week or two old. I decided
to walk again to Sacromente to see if I could find some flamenco and came
upon a cave, man built one, where there were two different performances
being put on for the tourist. I gather that unless one finds some spontaneous
event going on flamenco is basically done for the tourist and it was very
well done but had that feeling of the tourist scene. I watched for awhile
until the tour buses arrive and I left and finally wandered home. At this
time of year there is very little flamenco happening it seems.
A short video to give you a feeling of the caves.
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| Today I bought my guitar. |
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I awoke knowing that I would buy it and felt somewhat nervous about
doing so. Was this the right one, the instrument I have been looking
for? Would I love it in a weeks time, in a month, in a few years? I
had tried so many instruments and this was the one that called to me.
I walked to Bellido’s shop and there he was working on an instrument
he was building. He greeted me with a big smile and I sat and played
the four guitars that were left in the shop. He listened and gave me
feedback and I finally chose one.
Paying for it was much harder however. I decided to use my Visa card
and after awhile of calling Visa in the US and him calling Visa in Granada
and finally me getting a Visa rep on the phone in the US who got a translator
from Visa in Madrid to translate for him in the US so that they could
verify for the 5th time that I was who I was and I knew all the secret
passwords and handshakes and finally they gave him the authorization
code. We did all the paper work and after two hours had passed I was
able to walk away with my instrument.
As I’m writing it is in the case on the bed and I have not yet
opened it since coming back to the hostal. However that will change
shortly.
So that is the news from Granada after almost a week of being here.
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Today is July 15th as I sit in the internet cafe getting ready to put
these last changes up and to send email to everyone. I sat in the room this
morning and played the guitar for awhile. I love it. It is such a pleasure
to play. |
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Granada second week.
Its been a few days since I added to this writing and a few days since I found my guitar. Have I sat and played it for hours? Well a few times but since buying it I began focusing on what is called the "vibe" of Granada. Its that thing that one gets from a place, that thing that is infused in the people that makes the art and the music come alive. For the past year I have spent many hours a day listening to flamenco music, learning about it and trying to understand it. There is a feeling in the music that just can’t be described using words, at least not my words. Now that the search for the instrument is behind me I can start to focus a bit more on other things. When I was leaving Boston Jon said to me, get the feeling of the place, 'compas', the rhythmic foundation of the music. Compas is in the way the people move, speak, feel. The fire that comes from the way of life. The whole time I have been here I have spent time talking with people I see in the shops or on the side of the road of in a restaurant. Just idle talk, nothing important but something that allows me to feel something about this place. I have spent time just sitting and listening, feeling the rhythm.
I finally called up Miguel, a friend of Jon’s who I was to meet and to give him one of Jon’s CD. First I tried Jose Fernendez but no answer and I got Denise, Miguel’s wife who told me to call later when I was in the Albacin and they would give me directions to their house. I called and got directions from where I was standing and met Miguel on the street where he took me to show me his workshop where he repairs instruments. He also pointed out the little house called Peña Flamenco where flamenco happens on Saturday starting at around 2 am and we went to his house where I was taken to the rooftop to see the view while he finished up business with his partner. The view was everyone’s view from the Albaicin , the beautiful view of the Alhmabra and after about ten minutes he joined me and we began talking about instruments. He had a few guitars and we went downstairs where he offered me some wine and he brought out a few guitars for me to see and play. All the instruments were very old and in some state of ill health. Some were just broken and didn’t have strings while others needed a lot of work. I played each instrument and they were of the old school, one in particular was very sweet sounding and soft for a flamenco guitar and he said he wanted to sell that to a museum, it was made by someone who died a long time ago, a famous guitar maker. I had the feeling he hoped I would offer to buy it from him. One with no strings was restored in 1906. I played the various instruments and at one point he looked at me and said,
"I am not just saying this to make you feel good but you have alma, soul in your playing. You have the right feeling for flamenco.”
He then said you have to go to the peña in the other village on Saturday and I can’t go because of my health but I will take you to meet Pepe.
It seems in the flamenco world everyone has another name and Pepe or Paco are high on the list.
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We left his house after I took a photo of him and his
wife and went to Pepe’s house, the house of the peña
. He rang the bell and called out and eventually a man of about 70
or so came to the door buttoning up his shirt and Miguel explained
that I was a musician and played flamenco and a friend of a friend
and he wanted me to meet him and I was invited into the house. |
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Pepe's name is actually Jose Ferrer.
Pepe and Miguel listening to Pepe sing.
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We entered the room where the flamenco takes place and every space on the walls were lined and covered with photos of singers and players. The room felt like a cave, I had to almost bend to get through. In this room was a bar and a tape player set up, just a boom box. We made our way to the other room where chairs were all around and small tables and again the walls lined and then to his little sitting area where the tv was on and he took me to his various cups and medals to show me what he had been given. He still is an amazing singer and his whole body had the feeling of flamenco, his small round frame moved easily and Miguel told him I was a flamenco player with the 'feeling' and he brought out a few guitars, again I felt I was supposed to want to buy one, none were very good but as I started to play them he would sing a few notes. His beginnings were like something bubbling from the depths, like something that had to surface no matter what, like breathing. We agreed on a time I would meet him at a bar on Saturday when he would take me to the village and then I was offered a CD to buy of various singers which I was happy to do. Then he wanted to play me something on a tape he had. He played a bit of a singer and then finally found what he wanted and played a piece of him singing. This piece I was told was the most difficult piece for a flamenco singer and as we listened he would look over at me as if to say, see, I told you so, and each note that was held and moved affected his body and at the end of the piece he raised his hands as though he had just finished singing it at that moment and his whole body moved with the feeling of having finished that major work and we left the room. (Here is a short clip of Pepe and Miguel listening to Pepe sing.) During this time he talked off and on waving his hands with the cigarette throwing off ashes. I found it very difficult to understand anything he said. Earlier I said he was around 70 because of his spirit but I would say he was more like 80 with only a few teeth but all the alma one could ever dream of having. At one point I found out that he had performed with the great Sabicas, one of the greatest flamenco guitarist.
I walked back to the internet café for awhile then back to the Albacin to have dinner. It was now 10.30pm and I had to wait about 20 minutes for a table and sat in the square showing some kids my video camera and reading bits of a photocopy of a book that Miguel had made of the history of flamenco in Granada. After dinner the waiter who I have seen a number of times came over and said that he was a photographer and we talked a bit about cameras and photography and I walked back down to the square to go home.
I decided to stop at a little place where I get coffee occasionally and the man who made me coffee that last time remembered that I wanted it black, no sugar or milk and as I sat I was taking a few shots and a man sitting next to me who I have seen a few times asked about the camera. Then he said to me, “ you are arab yes.” And I said no that I was not and he said of course you are, he was from Tunisia and we looked similar to each other. I said no I’m from the Bahamas and he said something to someone in Arabic and then turned to me and said, ‘repeat that please” and I said I am from the Bahamas and he laughed and said ‘Oh, I thought you said you were from Mohammad” we talked a bit and then he said did you know that we opened a new mosque recently and I said that I did know because my wife had emailed me from the Bahamas to tell me about the opening and he stopped the conversation and told everyone how I found out about the mosque and they all laughed and marveled at email. At some point he asked me if we were in the triangle and I said yes we were and he said you know in the Koran that is know as the devil’s throne. You have to be very careful. I promised I would.
Saturday July 19
Its been a few day since writing and I have to catch up. The last few days were fairly uneventful, mostly walking and taking photos.
I have become interested in wall art or the graffiti here, there is some amazing art work.
There is another page that I put up that I called textures because these were images that gave me feelings that I couldn't really describe. There are things about this place that I see that I find difficult to put into words and sometimes images help. I did do some damage in the CD shop which was fun because I got to listen to everything I wanted to have that I can’t get easily in Boston including an anthology of flamenco singing.
Yesterday I suddenly remembered that there was something I had written down about flamenco so I checked and there was something going on somewhere but I had no clue what I had written or what it meant. I asked the woman at the desk where Pinos Puente was, the event was happening at the Cologio San Pacual there and she said it was in another village and I had to take a train. I got myself together and walked to the train station to find that you had to take a bus and I found the bus and was told that the last return was at 11.00 pm. The ride there took about a half hour and I got there very early. The town had the feeling of going into the old west in America, I have never felt more out of place somewhere but I walked around a bit looking at the men sitting on a stone bench talking, women walking with goods in hand, young people moving fast on loud motor scooters. After a few minutes of that I decided that it might be best to find somewhere to eat something though it was still early. I was across the street from the place where the flamenco took place and sat in a restaurant and had a very enjoyable meal while watching the winners of the water ballet competition.
I forgot to mention that I have also during siesta time been catching up with the water ballet and its quite fascinating. It reminded me of being in Cuba and the hotel where I was staying had a pool where the women used to practice their water ballet.
Also bull fighting has been on TV. I keep waiting for the bull to win.
After eating I went to the place where the flamenco was taking place, an outdoor event with a large stage in the grounds of a school, plastic chairs set up and a bar in the back.
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Young men worked on the sound system and I then realized
that sound system issues exist all over the world. The flamenco was
to start at 9.30 and my bus was to leave at 11. Ah ha!. We all know
about Caribbean time and all the other time zones not worth mentioning
at the moment. Well Spanish time is no different. Flamenco music blared
for an hour or more while people wandered in and had drinks. |
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At about 10.15 PM I saw someone with a guitar come to the gate and I
recognized him, it was Manuel Diaz and I went to see him and he gave me
a big hug and said what are you doing in this pueblo. I said that I came
to hear flamenco but that my bus was leaving at 11 and he said no problem,
we’ll take you home. I sat and finally about 10.30 the introductions
were given, a tribute to a man there, Pepe Guardia, a big man in the flamenco
world and all the musicians that came to play were there to honor him.
He was there in a wheel chair and had spoke a little thanking various
people and the performance began. A woman and her four kids arrived just
about 10.45 just in time for the music. I did bring my video camera and
started taping the various singers and there were many of them and I decided
to bring extra tapes just in case. I managed to fit everything just about
on three one hour tapes when the event was finally over. It was an amazing
event to hear the flamenco singers, men and women of all ages, and to
hear some great guitarist. They were all impressive and here was the vibe
of flamenco. The people sitting out, calling out to the performers, the
singers pouring out their laments that they have sung all their lives
but now sing it as though it was the first time they had ever sung or
maybe their last time. Each performer did two pieces and the event ended
in a dance by some students of flamenco. However these were no mere students
but the new generation of flamencos that were there now to continue this
tradition.
After the performance I went back where everyone was waiting to finish
and saw Manuel and he said that we would get a ride with one of the singers,
someone he came with but first we had to go to the bar at the back of
the event which we did and they all stood around talking and drinking,
the tradition of someone offering to buy a round and then a small group
of men would stand near each other and one would start to sing a phrase
from a song and another would add to it or correct it or say this is another
version and they would hug and kiss each other and take another drink.
(men singing in dressing room)
By now it was just after 2.30 am that we went to the bar and around 3.30
we decided to leave. |
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In the car was the driver, I don't remember his name,
Manuel and the man who I met in Manuel’s shop, Angel Rodriguez
“Chanquete” (he is the one on the left in this photo)who
is a small man but has a powerful voice. He was the one who looked
at me in the shop when I was playing solea, and at some point when
I was being introduced to someone he said to the person, yes he
plays flamenco and plays it very well. He is a good guitarist, he
understands the music. I was surprised to hear this from him because
each time I saw him he seemed to shy away from me as though he had
nothing to say but he was very open now. He said to me, you don’t
only understand the notes but you know the movement as well, that
is very important.
(An aside here. While I appreciate his thoughts on my playing I
am not under any illusion that I have even a speck of what I hear
here or ever will have. What I have is really a love for this music.)
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I guess what Angel said though is a tribute to my teacher as well. Still I am trying to understand the vibe of flamenco. Its similar to trying to understand the vibe of gospel for someone not steeped in it I imagine. How does one get the soul of another culture and can one ever really get it?
We drove home, Angel arguing with the driver the whole way about something I could not catch and occasionally he would turn to me and ask I if I understood what they were talking about which for the most part I didn’t, I was not really listening to them though the swearing was unmistakable.
A clip of Angel singing with Manuel playing
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I finally got to the hostal at 4 am, the men occasionally lamenting the time and look how late it is and so what, it was good fun and then they would break off into a line of a song and laugh.
My little room.
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Augustillas is one of the dancers, had lived in NY for five years and decided that she wanted to speak some English with me which was probably better than my Spanish and Manuel had a good laugh at that, he said, "look at this, it’s the gypsy who speaks English here". She had danced at the Radio Music Hall and was a magnificent dancer.
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Juan Pinilla, the youngest of the group was a translator
for German and had an amazing voice and I was especially impressed
with a few of the guitarist there, Jose Carlos Zarate among them.
Tonight is another adventure with flamenco. More on that when it
happens.
Juan Pinilla and Manuel
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Saturday evening. I arrived at the square, Plaza San Miguel Bayo, where
I was supposed to meet Pepe. It was 8.45 PM and already the restaurants
were starting to get people interested. In the doorway of a restaurant
a young boy held a red cape and a makeshift lance. He practiced his bullfighting
movements and moved gracefully even though he was a bit chubby I could
see he would lose his baby fat and be a crowd pleaser. He had the makings
of a real bullfighter.
A woman sat outside her little shop in her plastic chair fanning herself
and tourist walked by in a daze with map in hand pointing and trying to
find where they were.
Pepe finally he showed up, dressed smartly with a vest on and asked if
I had a car. I said no. He said the pueblo was 20 KM away and with him
were three other guys all flamencos and we sat in this bar trying to find
a car to go to the pueblo. We called Miguel who couldn't go or take us
and as time went by I began to realize that this was the life of the flamenco,
somehow waiting for the car and maybe getting to the gig and generally
arriving late but whatever happened it contained energy that never stopped.
While waiting a song would burst out and then a bit of a dance and then
a glass of something and back to walking outside to see if someone had
a car and asking people who drove by if they would drive us to the pueblo.
Someone suggested a taxi and after awhile I realized that going to the
pueblo was not what I was going to do this night. I was here for the vibe,
and it was strong. Soon a car came and there was space for three people,
by now another man had joined and he was somewhat large and three of them
including this large man squeezed in the back of a very small car, I opted
to not try and get in and spend a half hour in a vise grip surrounded
by smoke, oh yes, there was a dog in the back of the car too. They left
and the other two guys decided to call a taxi and I decided to leave the
scene.
I did go to the peña flamenca place around 1.30 am to see if anything
was happening yet but they had not returned. Miguel had said that it generally
doesn't start until around 2 or 2.30 and then goes until 5 or 6 am. By
the way, the name peña means society, a flamenco society and is
a place where flamenco happens on a regular basis, often it is a membership
thing. I thought of the little rooms with the low ceilings and the smoke
and decided that maybe I would give it a miss and walked instead back
to the center of town, though narrow streets lined with arab stalls and
little restaurants serving tea as people sat on low stools and the sound
of music took you to Tunisia or Morocco. The smell in incense came from
doorways and offers of hash wafted around me. I walked into the square
surround by hundreds of people all going to there various things, some
standing at bars on the street eating or drinking, others moving to the
next place.
Finally I went to my coffee place sat to have my coffee. There I met a
man who was having tea and we began talking. He was sitting across from
me and we started talking across the room.
He said "Come over here so we can talk"
I went and sat on the stool next to where he was sitting.
"What do you speak" he asked and I said "English and some
Spanish" so we spoke in Spanish. He was from Morocco and was looking
for work but there was no work in Granada so tomorrow he was going to
Madrid.
"how is it in America?" I said, "sometimes good, sometimes
hard. Its a big place, a lot of people come there to work and for some
people it takes a long time to become legal in order to stay and work."
I didn't explain any more about that. We talked for awhile, sitting comfortably
watching the tourist walk by.
At the end of my coffee I said goodbye to him and he said, "travel
well" and I said "good luck to you."
He smiled and lifted his glass and I left.
Walking down the street a car passed by driven by a black man, there are
not many black people here in Granada and those I have met or seen are
from Africa for the most part however this car stuck out because it was
blaring american rap music.
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| The waiter at Horno de Paquito on his way back to the
kitchen. |
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There are moments in travel when you meet people and they make your trip the trip that stays memorable, my young man in the internet cafe who smiles and asks me about the Bahamas, the man who smiles when he sees me come in to have cafe solo, he has never met someone who drinks that strong coffee without sugar or milk, the woman at the bakery who now recognizes me, the woman in the cheese shop who knows what I want, a piece of Manchego, not too big, the waiter at the restaurant in the Albaicine, Horno de Paquito, who moves so fast and yet when I sit down brings me a glass of beer before I have to order. Each of these people make the trip valuable and rich. I thought of traveling to other places in Spain to see the sights but I'm a terrible tourist. I don't like the tours and don't really care for the attractions. I love the people and getting to know them and being in a place long enough to love it and hate it at the same time. I love being somewhere long enough to start to feel the vibe of the place, of the people.
So I don't know what I've learned so far about flamenco. Hopefully I've picked up some of the vibe here and it will slowly seep into my playing. I know that this trip has been full and rich and more than I could have imagined.
Yesterday when I took my guitar to Rolf, the german guitar maker for him to see it he played it for awhile and looked at me and said, "its a very good instrument. There are not many guitars around today that play as beautifully as this one."
Before I left Granada and Rolf's shop I ended up buying a guitar from him as well. An instrument made by Ariza, a beautiful guitar that I heard a few days ago and loved the sound of it as well and decided to buy it and bring it back probably to sell to someone who was also infested with the flamenco fever that I have in my blood. Having seen so few hand made instruments I felt that I should take advantage of this moment. Traveling back with two guitars should prove interesting.
I have two more days before heading home to Boston. Today is Sunday, its quiet and I have already walked to the restaurant and had coffee, walked the streets and looked at the large church buildings, passed the music school and heard someone playing Beethoven on the piano and someone playing Debussy on the flute. Its quite today, a nice feeling after the melee of last nights tourist in the square.
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I'm finishing this up at the internet cafe to put up on the web. There
are people in here sitting at the computers, talking on their cell phones,
using the pay phone to call home. Arab music plays on the tape player
and the young man sits at the counter looking as though he wishes he could
be back in bed. When I look over at him he gives a big smile. A few days
ago I came in and was sitting writing on the computer and fanning myself
because of the heat and he came over and turned on the AC. No words spoken
but an understanding that crossed all barriers that might be there because
of language or culture. |
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PS. I'm back in Boston. Both guitars traveled well and I'm in love with my Bellido instrument. It was the smartest move I've ever made and each day I play it I enjoy it more and more.
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